“Let’s just keep this on point”: On Santana Lopez, Sebastian Smythe, “Smooth Criminal,” and the Politics of Power
So we don’t have the full context for the “Smooth Criminal” scene of 3x11 yet. Accordingly, what follows represents an “unscientific” and rather flailing attempt to parse purely the body language of the scene in terms of power dynamics.
We have Sebastian. We have Santana. We have a whole lot of tension.
Feelings, feelings, feelings after the cut.
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